Publications
Mutis por el foro: Artes escénicas y política en tiempos de pandemia, edited by Lorena Verzero and Lola Proaño Gómez. Cover art by Rafael Landea; layout design by Pablo Amadeo.
Articles
“University Theatres & Season Planning; or, What Do You Program When You’re Running Out of Time?” Co-written with Kate Busselle. Theatre/Practice 13 (2024), forthcoming.
“The Affect of Doubt in Recent Argentine History and Performance: Última(s) catástrofe(s) by Compañía de Funciones Patrióticas.” In “Poetic-Affective Rationality: A Political Approach to the Contemporary Theatrical Scene,” ed. Lorena Verzero and Lola Proaño Gómez, dossier, Religación 8, no. 35 (January–March 2023).
“Presently in Beds: Re/mediating the Sensible in Argentine Postdictatorship Performance.” In “Presence,” ed. Kimberly Jannarone, Elise Morrison, and Tavia Nyong’o, consortium special issue, TDR 66, no. 4 (December 2022): 161–178.
“Voicing the Self, Performing Collectives: Testimonio in Contemporary Argentine Theater.” Voz e Cena 2, no. 2 (July–December 2021): 34–58.
Chapters
“On the Move: A Methodology for Teaching Theater Histories of Latinxs in the Americas.” In Toward a Just Pedagogy of Performance: Historiography, Narrative, and Equity in Dramatic Practice, ed. Charles O’Malley, 30–52. New York: Routledge, 2023.
“¿Dónde estoy?: Situado en pandemia, relaborando presencia, sintiendo a distancia.” In Mutis por el foro: Artes escénicas y política en tiempos de pandemia, edited by Lorena Verzero and Lola Proaño Gómez, Red de Estudios de Artes Escénicas Latinoamericanas, 135–41. Buenos Aires: Editorial ASPO, 2020.
“Metateatro afectivo: Las ideas, de Federico León.” In Entre/telones y pantallas: Afectos y saberes en la performance argentina contemporánea, edited by Jordana Blejmar, Philippa Page, and Cecilia Sosa, 192–205. Buenos Aires: Libraria Ediciones, 2020.
Reviews
“Más allá del cuerpo o el cuerpo más allá: Reflexiones a la distancia sobre Transmutaciones Lafkenche (2020–Presente).” FITEI Digital. November 2023.
“Hernández, Paola S. Staging Lives in Latin American Theater: Bodies–Objects–Archives.” telondefondo 18, no. 35 (July 2022): 198–200.
“Forgiveness and Healing: Releasing Ni Mi Madre.” David Geffen School of Drama Annual Magazine (2021–2022): 26–29.
“Trastoy, Beatriz. La escena posdramática.” Latin American Theatre Review 53, no. 1 (Fall 2019): 153–54.
“What Makes Interactive Theatre So Fascinating.” Co-written with Maria Inês Marques. TDF Stages. Review of Top Secret International (State 1) by Rimini Protokoll. April 5, 2017.
“The Sound of the Wood Is the Soul of the Play.” TDF Stages. Review of Antlia Pneumatica by Anne Washburn, directed by Ken Rus Schmoll. March 23, 2016.